http://www.youtube.com/watch?feature=player_profilepage&v=ospNORQqUPM
Woop, lightshow for Lily Cole!!!
http://www.vogue.co.uk/blogs/the-green-style-blog/2011/07/the-north-circular
Anselm Kiefer
Does anyone have a large format camera I can borrow?
Kacper Kowalski. Toxic Beauty, 2010
Edward Burtynsky. Ground Zero Overview, Gulf of Mexico, 24th June 2010.
Edward Burtynsky. Ground Zero, Gulf of Mexico, 24th June 2010.
Edward Burtynsky. Nesting Ground after Oil Spill, Gulf of Mexico, 24th June 2010.
current
Robert Frank & Ryan McGinley
Robert Frank. Rodeo-New York City, 1954 Gelatin silver print, 33.7 x 21.3 cm
Ryan McGinley. Tim and Dakota, 2002
Ryan McGinley. Marcel, Ann & Coley, 2007
Ryan McGinley. Dash & Agathe, 2001
Richard Patterson
Richard Patterson. The Kennington Years, 2001
Richard Patterson. Cheerleader, Oil on canvas, 123 7/8 x 82 inches, 2001
Richard Patterson. Cheerleader, Oil on canvas, 123 7/8 x 82 inches, 2001
Jonathan Laskar
‘The painting repeated the composition of the study, but not precisely, as it is a freehand rendition of the study only. The gap between the image which one is recreating and the image which one arrives at is an interesting study in perception and intuition. Surprisingly one is very much “in the moment” of creation when attempting to replicate an image, an attempt which is almost designed to fail in order to arrive at a picture, which in spite of its precedents, is unique.’ -Jonathan Lasker
Jonathan Lasker. For an Absconded God, Oil on linen, 152.4 x 203.2 cm, 2009
Jonathan Lasker. The Plan for Morality, Oil on linen, 182.9 x 274.3 cm, 2009
Jonathan Lasker. Hidden Identity, Oil on linen, 40.6 x 30.5 cm, 2009
Jonathan Lasker. Painting Visible Thoughts, Oil on linen, 76.2 x 61 cm, 1992
Wolfgang Tillmans, Serpentine Gallery.
Installation view Serpentine Gallery, London
Lighter, blue concave I 2008, Unique C-type print in Plexiglass hood, 64 × 54 × 12.5 cm
Zimmerlinde (Michel) 2006, Framed C-type print, 211 × 145 cm
Great colour from Patrick Heron:
Patrick Heron. Pale Pink and Lemon Painting: November 1982 – May 28 1984, Oil on canvas, 96.5 x 121.9 cm
Some advice:
1. “Become really, really good at something. I think that a lot of young artists out there seem to have the impression that an idea is enough. It’s not. To be a successful artist, you have to develop your skills; you have to put in the thousands of hours to learn what it is to make your idea come to life.”
Grayson Perry, 2010 – when asked if he has any advice for young artists (from Libertine magazine).
Rezi van Lankveld and others
Rezi van Lankveld. On the Prairie, Oil on Canvas, 120 x 120 cm, 2010
Tal R. The Smile, Oil on Canvas, 250 x 250 cm, 2007
Peter Doig, Blotter, Oil on Canvas, 249 x 199 cm, 1993
Philip Allen
Katterfelto (studio version), Oil on board, 50 x71 cm, 2004
Pure Beauty
John Baldessari. From ‘Throwing Three Balls in the Air to Get a Straight Line (Best of 36 Attempts)’, 1973
John Baldessari. Heel, Photograph, Black-and-white photographs with oil tint, oil stick, and acrylic, Overall: 270.51 x 220.98 cm, 1986
”Art comes out of failure, you have to try things out. You can’t sit around, terrified of being incorrect, saying ‘I won’t do anything until I create a masterpiece.’ ”
‘Students need to see that art is made by humans being just like them’.
‘A good collage – pull the images any further apart and they will snap’.
‘Go to your studio everyday and sweep up and eventually you will not be bored and that is the start of creativity’.
Jacqueline Humphries
Narcissus, Oil on Canvas, 203.2 × 221 cm, 2010
The Searcher, Oil and Enamel on Canvas, 203.2 × 221 cm, 2010
Work from Chelsea BA show
Ralph Hunter-Menzies. Accumulation 1, Oil on Board, 10 x 10 cm, 2009.
Lillian Suwanrumpha. (No photograph of installation, image taken from card).
Tomoko Takayama. (Image to come).
by Thomas
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